![PS-2004-Michael-5_copy.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/1713823535876-CHLJWWFI34DSE6A341VX/PS-2004-Michael-5_copy.jpg)
![AIR2024-Michael-M-8.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/1713823496987-TTKRRUM4FNE0F9CPRY61/AIR2024-Michael-M-8.jpg)
![AIR2024-Michael-M-1.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/1713824464103-V2H5Z5QJE17ZWK0Z1JR0/AIR2024-Michael-M-1.jpg)
![PS-2004-Michael-2_copy.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/1713824660797-FQ4XPUOUVIHYOX0PCHQX/PS-2004-Michael-2_copy.jpg)
![PS-2004-Michael-3_copy.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/1713823514506-38RTRF5X37Z8R9Y0NEVG/PS-2004-Michael-3_copy.jpg)
![AIR2024-Michael-M-3.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/1713823489971-OOE6621LH96VZBRQULIZ/AIR2024-Michael-M-3.jpg)
![AIR2024-Michael-M-5.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/1713823493402-PO1J9TYIVXIM9MUDXK80/AIR2024-Michael-M-5.jpg)
![MaggieMichael.BlueDanubeIcon.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/09765d43-22c1-4b5c-a662-7280061d21fa/MaggieMichael.BlueDanubeIcon.jpg)
![MaggieMichael.ClonesInstallation.2002.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/26586119-8a1c-4b5e-a884-401434bc270c/MaggieMichael.ClonesInstallation.2002.jpg)
![MaggieMichael.The Floor, Dog, The Zone.jpg](https://images.squarespace-cdn.com/content/v1/6626dc6b250f290e99eaa890/54c8eb50-4634-4d55-b581-30573d22388b/MaggieMichael.The+Floor%2C+Dog%2C+The+Zone.jpg)
“Painting untethers a mesh of past, present, and future. Intuitive and intentional, the motion and emotion of making is moving towards the stillness of viewing ~ wavering in the density and airiness of our coming and going. Abstraction, a siren for expansive thinking, offers generous clarity and strangeness; also, brutal, exquisite, and base forms of beauty, anchoring multiplicities with many forms of yes.”